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· Experienced providing one-to-one and group-based music instruction in post-secondary and secondary school environments
· 17+ years experience performing as a soloist with leading symphony orchestras and opera companies in Canada, Europe and the United States
· Bachelor of Music (Major: Vocal Performance); Diploma of Operatic Performance, University of Toronto (Distinguished Graduate Award)
· Proven facility with languages (Italian, German, French, Spanish, working knowledge of Russian)
· Expressive written / verbal communication abilities - published poet (3 song cycles composed based on my poetry; John Greer, Harry Freedman – performed by Tracy Dahl - CBC broadcast)
· Inquisitive – results-oriented – process-based – committed to lifelong learning
Teaching Experience
| Private Vocal Instructor | Ongoing |
Poetry Interpretation and Presentation Opera Nuova, Edmonton | Summer 2011 |
Vocal Instructor/Masterclass Opera Nuova, Edmonton | Summer 2011, 2006 |
Vocal Music Supply Teaching Branksome Hall, Toronto | November - December 2010 |
Vocal Instructor/Masterclass Wilfrid Laurier University | January 2006 - April 2008 |
Vocal Workshop Mississauga Children's Choir | February 2008 |
Vocal Workshop Milton Choristers | November 2007 |
Drama Teacher (Practicum) Toronto District School Board | Spring 2004 |
Masterclass University of Western Ontario Faculty of Music | Spring 2004 |
Music Teacher (Practicum) Toronto District School Board | Fall 2003 |
Masterclass Brock University Faculty of Music | Fall 2002 |
Masterclass Calgary Opera Association | Spring 1999 |
Adjudicating Experience
Vocal and Choral Adjudicator Kiwanis Festival, Carbonear, Nfld | April 2011 |
Vocal and Choral Adjudicator Belleville, Ontario | April 2011 |
Vocal Adjudicator Opera Nuova Auditions | November 2010, 2006 |
Vocal Instruction
Provided individual vocal instruction to university-level students based on the following principles:
· Technique: an integrated approach; assisting students to discover their own unique sound
· Posture: core posture and the body’s outer expression (how to maintain integrity of the spine while acting and singing)
· Breathing: releasing and controlling the breath, building stamina while singing naturally
· Warm-up: how to relate it to repertoire and how to transfer skills
· Body, Intellect and Spirit: how to integrate their knowledge into performance practise (i.e. how mental intention affects tone quality, etc.)
Repertory Coaching
· Diction: English, French, Italian, German, Russian, Czech, Latin – how to use IPA, how to know when it is not enough
· Interpretation: Specificity in all repertoire (how to paint pictures for your audience), Character analysis, Text (Poetry, Libretto) analysis,
· Stage Craft: body mechanics, basic understanding of the physical theatre and the actor’s approach to a script
· Music Theory Instruction - taught ear training and rudimentary theory at the high school level
Group / Masterclass Facilitation
· Facilitated master-classes for advanced singing students through organizations and schools including The Calgary Opera Association, Brock University and the University of Western Ontario (repertory ranged from early English through to grand opera)
· Delivered Grade 11/12 Acting Technique and university-level Technical Theatre curriculum
· Side-coached scene work with the grade 10, 11, and 12 acting technique classes
· Assisted with extra-curricular drama activities during the Sears Drama Festival
· Planned and facilitated grades 9, 10, 11, and 12 vocal classes; developed and delivered a unit on Medieval and Renaissance Music History and Performance Practice
· Planned and taught grade nine beginner strings class
· Planned, developed and evaluated culminating project for grades 11 and 12 vocal students; and assisted with extra-curricular rehearsals
Related Education & Training
Bachelor of Education, Vocal Music and Drama, Intermediate/Senior Ontario Institute for Studies in Education, University of Toronto | 2004 |
Level One English as a Second Language (ESL) Certificate (155 hours) The Canadian Co-Operative for Language and Cultural Studies, Inc. | 2003 |
Level 1 Italian Studies Scuola Dante Allighieri (Florence, Italy) | 1995 |
Diploma of Operatic Performance University of Toronto | 1992 |
Bachelor of Music Performance Major: Vocal Performance University of Toronto | 1988 |
Awards and Scholarships
Opera Fellowship Scholarship Banff Centre | 1994 |
Distinguished Graduate Award University of Toronto | 1992 |
Fellowship Tanglewood Center for Music | 1991-1992 |
Ruby Mercer Opera Scholarship University of Toronto | 1991 |
Vocal Instructors & Coaches
| Phyllis Curtin | Mary Morrison |
| Margot Garrett | Anthony Rolfe-Johnson |
| Stuart Hamilton | Helen Simmie |
| Thomas Hampson | Don Tarnawski |
| Warren Jones | Galina Vishnevskya |
| Martin Isepp | Sarah Walker |
| Patricia Kern | |
Courses and Workshops
Mask Making: How to in High School Teodoro Dragonieri Tarragon Theatre | 2004 |
Pélagie: An Acadian Odyssey Jonothan Neelands CanStage | 2004 |
An Opera for the Twentieth Century Christopher Butterfield and John Bentley-Mayes Banff Centre | 1993 |
Study of the Music of J.S. Bach Anthony Rolfe-Johnson The Britten-Pears School, Aldeburgh, England | 1992 |
Study of Russian Song Galina Vishnevskaya The Britten-Pears School, Aldeburgh, England | 1992 |
Study of the Music of J.S. Bach & G.F. Handel Sarah Walker The Britten-Pears School, Aldeburgh, England | 1991 |
Intensive Vocal Study and Workshops (Fellow) Tanglewood Center for Music | 1991-1992 |
Academy of Singing Martin Isepp Banff Centre | 1989-1990 |
Music of the French, Italian and English Renaissance Intensive work and performing with lutenist John Edwards | 1988-1993 |
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